Brian Evenson’s new novel, The Open Curtain, begins with what increasingly has become an almost predictable plot: a basically good boy—in this case the son a Mormon widow—at puberty begins to explore the past along with new ideas that gradually alter his personality. In this case the young Rudd uncovers a letter sent to his father by an unknown woman, claiming that he was the father of her son. Rudd’s father—who later committed suicide by slitting his own throat—denies any paternity, and when Rudd confronts his mother with the letter, she can only repeat the denial, claiming to have no knowledge of any such event.
Los Angeles, September 21, 2006
Reprinted from The New Review of Literature, IV, no. 2 (April 2007).