by Douglas Messerli
George Seaton (screenplay, based on a story by Valentine Davies), George Seaton (director) Miracle on 34th Street / 1947
I’ll begin by admitting that I absolutely enjoy George Seaton’s and Valentine Davies’ holiday fantasy, Miracle on 34th Street. I have probably watched this film every year of my adult life on Thanksgiving day or during the Christmas season, and I get delight just imagining that I might have been able witness the premiere of this film as a 6-month old baby.
Kris even repeats the sentiments I stated earlier in this essay, disparaging the commercialism of the holiday—a strange thing for that emblem of the commercial to do; but it is clear the director and writer want to both ways.
The kids read it and they don’t hang up their stockiings. Now what
you got the CIO and AF of L against you and they’re going to
department stores are going to love you too and the Christmas card
So, insists Seaton’s film, Santa Claus, despite all evidence to the contrary, is alive and well. Yet Seaton and the original author go even further, demanding of even the adult characters and viewers their utter belief in the commercial emblem. When asked what she might like for Christmas, Susan pulls out an advertisement for a suburban Long Island home. Even Kris Kringel is a bit stunned by her demand, when he suggests, “…Don’t you see, dear? Some children wish for things they couldn’t possibly use like real locomotives or B-29.s.” Her retort is the stubborn insistence of any spoiled consumer:
Los Angeles, Thanksgiving 2011